Archive for the ‘POEPLes’ Category

Maulana Hasrat Mohani: A Great Freedom Fighter of Indo-Pak who coined the term ‘Inquilab Zindabad’.

May 13th, 2024, posted in DAtEs iN a YeAR, POEPLes

Wars and Conflicts By Sir David Wilkie

May 4th, 2021, posted in Art, ChARACtERs, DAtEs iN a YeAR, POEPLes, STORiES

General Sir David Baird,Discovering the Body of Sultan Tippoo Sahib,Sultan Tippoo,Sultan Tippu,tippu Sultan,Wars and Conflicts By Sir David Wilkie

General Sir David Baird Discovering the Body of Sultan Tippoo Sahib after having Captured Seringapatam, on the 4th May, 1799.

This enormous picture was commissioned after Sir David Baird’s death by his wife, Lady Baird, as a private memorial. It took four years to complete, and for Baird’s posthumous likeness, Wilkie turned to a sculpture by the Scottish artist, Laurence Macdonald (NG 2719). Baird had been in India with the British Army in 1779, when he was taken prisoner by Haidar ‘Ali, the ruler of the Mysore Kingdom.

Imprisoned for four years, Baird was only released after the signing of the treaty of Mangalore. He remained in the army, engaging Haidar ‘Ali’s son, Tipu Sultan (Tippoo Saib), during the Third and Fourth Anglo-Mysore Wars. The latter conflict ceased in 1799 when Tipu was killed as his stronghold of Seringapatam was stormed after a month-long siege. Wilkie portrays Baird at the decisive moment Tipu’s body was discovered.

Artist Sir David Wilkie
DepictedSir General David Baird
Object TypePainting
SubjectWars and Conflicts
MaterialsOil on canvas
Date Created1839


The Conventional Definition Of Management

May 17th, 2020, posted in ChARACtERs, DAtEs iN a YeAR, MESSAGEs, POEPLes, Scarface'S DIARY




The conventional definition of management is getting work done through people, but real management is developing people through work.
Agha Hasan Abedi


Ghassan Kanafani About The Palestinian Cause

July 8th, 2019, posted in Art, ChARACtERs, DAtEs iN a YeAR, POEPLes, Scarface'S DIARY, WORKiNG iN GRAPHiCS

Ghassan Kanafani Tea Towel,Ghassan Kanafani,Ghassan,Kanafani,The Palestinian cause ,The Palestinian,a revolutionary,revolutionary,Palestinian


The Palestinian cause is not a cause for Palestinians only, but a cause for every revolutionary, wherever he is, as a cause of the exploited and oppressed masses in our era.” These are the words of Ghassan Kanafani (1936-1972), a Palestinian author, teacher, revolutionary and a leading member of the Popular Front for the Liberation of Palestine. His journalism and writings were deeply rooted in Arab-Palestinian culture, and inspired a whole generation both during and after his lifetime. On 8 July 1972, he was assassinated by Mossad as a response to the Lod airport massacre although he had played no direct role in this. He was murdered for his commitment to Palestinian resistance and seen by the Israeli occupiers as a threat to the racist occupation regime. His legacy lives on in every Palestinian and internationalist willing to fight for the anti-imperialist cause. 



June 1st, 2019, posted in Art, GiRLs, PAKiSTAN, POEPLes


Karachi-based artist, Summaiya Jillani, took a little over two weeks to paint her version of the iconic, beautiful, Marilyn Monroe.

Featured in colourful ethnic wear, with her braided, blond hair draped on one side of her shoulder, in addition to chunky earrings, the painting is pop art eccentric, animated and pretty darn brilliant. In a mere few days, an image of the painting went viral over Facebook. Jillani, a graduate from Karachi University remains baffled by the attention her painting seems to be generating.

Initially wanting to be a GD Pilot, Jillani couldn’t make the cut due to weak eyesight. However, the artist’s father was keen on his daughter becoming a doctor. “I was very good at Biology,” Jillani says regarding her consistent inclination towards the field of art, “Making nice diagrams, etc., therefore, this career used to be in the back of my mind like a haunting beast.”

Currently teaching Art at Beaconhouse, Jillani spoke with HELLO! Pakistan about her painting, art, how she approaches a project and more:

When did you paint this piece and what was it for?

I started working on this piece early this year but I left it 15% done as I got busy with a series of family events. Then on being contacted by the VM Gallery, here in Karachi, asking for some fresh work for a show called ‘Attaining Heights,’ I resumed working on it and finished the remaining 85% in a week alongside my job. Initially I was making the painting for myself. I start things very whimsically; not knowing where and how they would end up – but then they make their own way out. I feel very lucky.


How long did it take?

If I had to count to the exact number of days, I can say it’d have taken me about 15 days.

Did you have any other ideas in mind regarding what you’d like to see Monroe wearing?

I always have a lot of options for one single image and I pick one of them up quite intuitively, not thinking too much about it! Too much thinking overcooks the idea and also wastes time, I believe. The dress (angarkha) that you see Monroe wearing in the painting is a creation of a very young designer, Nabiha Hassan, who also studied at Karachi University. The first time I saw the dress, I had a thing for it…not for wearing it, but for painting it somehow! That dress has a life of its own and that certainly has made the painting what it is and the credit must also go to the person who designed the clothes.

What medium did you use for this painting?

I used a locally made cloth as the base with acrylic paints.

What was your inspiration behind this painting?Summaiya Jillani,Painting the Iconic Marilyn Monroe,Painting the Iconic,Marilyn Monroe

My only inspiration was to throw a pleasant visual at the viewer. I’m never looking for something too deep; rather, I look for an instant BANG effect! I don’t know if it’s a good or bad thing, all I know is that it works best for me. I can’t even say if I like Monroe or not. I have a taste for rather different things in movies such as dark British comedy, etc. Monroe is something I know almost everyone falls for in a jiffy and that is exactly what I enjoy bringing to light in my work.

What has the response been like so far?

The response has been simply overwhelming! I uploaded a photo of the painting (on Facebook) that was taken by my brother at the gallery and I’d forgotten that my wall photos were open to the public. And the very second it was uploaded, ‘likes’ and ‘shares’ went wild! The image went viral and in less than 12 hours it had almost about 600 shares directly from my profile.

Have there been any interested buyers?


Is this a one-off painting, or are you open to making identical paintings for interested buyers?

The idea is still in progress. Even before starting the painting I had a series of images in mind. So yes, in the near future we will be seeing more of Monroe with more surprising elements and a lot more than just Monroe!

How do you approach a project, what does the process entail?

My process is when I work, I sleep with it, I wake up beside it, and I listen to music constantly. I cannot work without music. I can’t tell how many hours exactly, but when I’m working I’ll keep at it until the need of a nap takes over me. And I’m not even a workaholic.





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