Archive for November, 2013

Shaking Booty And Deadpool Seeing

November 28th, 2013, posted in BoYs, COMiCS, GiRLs, MARVEL
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Shaking Booty And Deadpool Seeing,Shaking Booty, Deadpool ,shaking ass,guy gone crazy,seducing,seduce,marvel character,marvel festvil,comic ,comic festviel

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Girls Grow Into Womanhood The Body

November 27th, 2013, posted in GiRLs, Ink On PAPER, Scarface'S DIARY
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Girls Grow Into Womanhood The Body,Indain Woman,Pakistani Woman,Eastern Woman,Indain Women,Pakistani Women,Eastern Women,Paki Women,Paki Woman,india,pakistan,paki,words,indian movies,bollywood,lollywood,,

Girls Grow Into Womanhood The Body,Indain Woman,Pakistani Woman,Eastern Woman,Indain Women,Pakistani Women,Eastern Women,Paki Women,Paki Woman,india,pakistan,paki,words,indian movies,bollywood,lollywood,,

As girls grow into womanhood, the body becomes the central medium through which these unwritten codes of behavior are transmitted and memorized. The demure lowered gaze fixed at some point on the floor, the acquiescent nod of the head, the feminine swing of the hips, the closely held thighs and the modestly drawn-in shoulders are all written into our bodies by invisible hands and inaudible words so that we start believing that this is the way we are supposed to be.

The containment of a woman’s body is demonstrated by the very tightness with which she holds herself and moves The notion that such gendered body language is ‘natural’ is reinforced by observing other women we encounter. For example, observing men and women in public transportation and on the streets of Mumbai, one notices the tentative and watchful manner in which women occupy public space. In BEST buses, the average women will occupy the least possible space, rendering herself as inconspicuous as she can…on the other hand, the average man will spread his legs out, occupy more than half of a two-seater in a bus and appear to disregard the people around him.

Shilpa Phadke, Sameera Khan, Shilpa Ranade,Why Loiter?: Women and Risk on Mumbai Streets

Observing the occupation of space(s) by women is critical praxis for me when I watch films, particularly because there’s always some surprise (and satisfaction) in catching glimpses of scenes where filmmakers break away from the traditionally gendered frame. The screencaps above illustrate that sentiment best. While Indian women at leisure in public spaces has never been a plausible reality for the filmmaker to pursue, this uninhibited, un-sexualized, un-victimized image of women in private, domestic spaces has usually been shied away from as well, because film has been expected to make its female protagonists hyper-aware of their bodies in the form of traditional gender roles for the benefit of a cis, heteronormative, North Indian Hindu male audience. Obviously the harrowing majority of filmmakers from parallel cinema to the so-called mainstream are male and their own sexist expectations of women have been translated into the narratives of their films along with the way they frame their female protagonists, never affording viewers with the realities (or criticisms) of women and their occupancy of private/domestic space.

The women in these films however, are able to lie faceless and thoughtless in crumpled sarees and nightgowns, no male gaze to bind their bodies to a decreed acceptable amount of space. They spill out from the frame, with hidden limbs, faces, thoughts—a luxury the traditionally gendered frame would not dream of providing.

Girls Grow Into Womanhood The Body,Indain Woman,Pakistani Woman,Eastern Woman,Indain Women,Pakistani Women,Eastern Women,Paki Women,Paki Woman,india,pakistan,paki,words,indian movies,bollywood,lollywood,,

Link : http://azaadi.tumblr.com/post/61204139780/dhrupad-as-girls-grow-into-womanhood-the-body

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Something About Lying Monster

November 27th, 2013, posted in Death Note, MESSAGEs, Scarface'S DIARY
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Lying Monster,Lying,Monster,L,deathnote,L Lawliet ,エル, Eru Rõraito,Lawliet,anime,good,bad,goodbad,evil,angel,fight

There are…many types of monsters in this world: Monsters who will not show themselves and who cause trouble; monsters who abduct children; monsters who devour dreams; monsters who suck blood, and…monsters who always tell lies. Lying monsters are a real nuisance. They are much more cunning than other monsters. They pose as humans even though they have no understanding of the human heart. They eat even though they’ve never experienced hunger. They study even though they have no interest in academics. They seek friendship even though they do not know how to love. If I were to encounter such a monster, I would likely be eaten by it. Because in truth, I am that monster

Lying Monster,Lying,Monster,L,deathnote,L Lawliet ,エル, Eru Rõraito,Lawliet,anime,good,bad,goodbad,evil,angel,fight

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Bekhud Kiye Dete Hain Andaaz-e-Hijabana

November 26th, 2013, posted in POEtRY.., Sufism
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Bekhud Kiye Dete Hain Andaaz-e-Hijabana,naat,islamic,poetry,poet,urdu,love, Lyrics,Rahat Fateh Ali khan,Qawwali
Bekhud kiye dete hain andaaz e hijabana
Aa dil main tujhay rakhloon aie jalwa e janana.

Kyun aankh milayee thi, kyoon aag lagayi thee
Kyun aag lagayee thi…
Aab rukh ko chupa baithay kar kay mujhay deewana.

Bekhud Kiye Dete Hain andaaz e hijabana
Aa dil main tujhay rakhloon aie jalwa e janana.

Kiya lutf ho mehshar mein main shikway kiye jaoon
Main shikway kiye jaoon…
Woh haskay kahay jayein deewana hai dewana.

Bekhud kiye dete hain andaaz e hijabana
Aa dil main tujhay rakhloon aie jalwa e janana.

Saaki teray aatay hee yeh josh hai masti ka
Yeh josh hai masti ka…
Sheshay pay gira sheesha pemanay paymana.

Bekhud kiye dete hain andaaz e hijabana
Aa dil main tujhay rakhloon aie jalwa e janana.

Maloom nahin Bedam mein kon houn aur kiya hoon
Mein kon houn aur kiya hoon…
Youn apnoon main apna houn baiganoon mein baygana.

Bekhud kiye dete hain andaaz e hijabana
Aa dil main tujhay rakhloon aie jalwa e janana.
Bekhud Kiye Dete Hain Andaaz-e-Hijabana,naat,islamic,poetry,poet,urdu,love, Lyrics,Rahat Fateh Ali khan,Qawwali
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Name The Picture Please

November 26th, 2013, posted in ANiMALS, LoVE
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Name The Picture Please,Name The Picture, Please,name,picture

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