Posts Tagged ‘Pakistan’

Bhutto Family

January 5th, 2014, posted in ChARACtERs, PAKiSTAN, POEPLes
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Bhutto family in 1975: (L to R): Shahnawaz Bhutto (allegedly poisoned by the ISI in 1985); Benazir Bhutto (assassinated by Islamic extremists in 2007); Murtaza Bhutto (killed during a controversial police operation in 1996); Sanam Bhutto (living in London and Karachi); Nusrat Bhutto (died in 2011) and Z A. Bhutto (hanged by Zia dictatorship in 1979).

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Biography of Hafeez Jalandhari

December 21st, 2013, posted in PAKiSTAN, POEPLes
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Hafeez JalandhariAbu-Al-Asar Hafeez Jalandhari (Urdu: ابو الاثر حفیظ جالندھری‎) Pakistani writer, poet and, above all, composer of the National Anthem of Pakistan. He was born in Jalandhar, Punjab, British India on January 14, 1900. After independence of Pakistan in 1947, Hafeez Jalandhari moved to Lahore. Hafeez made up for the lack of formal education with self-study but he has the privilege to have some advise from the great Persian poet Maulana Ghulam Qadir Bilgrami. His dedication, hard work and advise from such a learned person carved his place in poetic pantheon.

Hafeez Jalandhari actively participated in Pakistan Movement and used his writings to propagate for the cause of Pakistan. In early 1948, he joined the forces for the freedom of Kashmir and got wounded. Hafeez Jalandhari wrote the Kashmiri Anthem, “Watan Hamara Azad Kashmir“. He wrote many patriotic songs during Pakistan, India war in 1965.

Hafeez Jalandhari served as Director General of morals in Pakistan Armed Forces, and very prominent position as adviser to the President, Field Marshal Mohammad Ayub Khan and also Director of Writer’s Guild.

Hafeez Jalandhari’s monumental work of poetry, Shahnam-e-Islam, gave him incredible fame which, in the manner of Firdowsi’s Shahnameh, is a record of the glorious history of Islam in verse. Hafeez Jalandhari wrote the national anthem of Pakistan composed by Ahmed Ghulamali Chagla also known as Ahmed G Chagla. He is unique in Urdu poetry for the enchanting melody of his voice and lilting rhythms of his songs and lyrics. His poetry generally deals with romantic, religious, patriotic and natural themes. He chooses his themes, images and tunes from the subcontinent and his language is a fine blend of Hindi and Urdu diction, reflecting the composite culture of South Asia.

Early life

Hafeez was born in Jalandhar, British India to a Rajput family. His father was Shams-ud-din who was Hafiz-e-Qur’an. He firstly studied in mosque and was then admitted in a local school. He then received formal education up until seventh grade (class).

Recently, another poet Jagannath Azad, son of Lahore-based poet Tilok Chand Mahroom, claimed that long before Hafeez Jalandhari’s lyrics were adopted as the national anthem in 1950s, Pakistan had an anthem written by him. He was commissioned by Muhammad Ali Jinnah to write the anthem three days before the creation of Pakistan in 1947. After long debates on this issue in Pakistan, researchers have declined Azad’s claim to be the poet of first national anthem of Pakistan.Dr Safdar Mehmood, a famous researcher in Pakistan, has written an article in ‘Daily Jang’ (6 June 2010), researching this topic a bit further. Based on his research, Dr Mehmood suggests that while there might be a possibility that Azad might have written a national (milli) song which was broadcast by Radio Pakistan after 1947, however, there is no evidence of Azads meeting with Jinnah nor of the claim that he wrote a national anthem for Pakistan which was approved by Jinnah and which was broadcast by Radio Pakistan as the new countrys national anthem. In fact, there is no record of the broadcast of Azad’s anthem in the official archives of Radio Pakistan. Azad has also claimed that he was awarded ‘Iqbal Medal’ in 1979 by the Government of Pakistan. Again, this claim is not true as his name is not included in the governmental record of national award holders maintained by the Cabinet Division of Pakistan.

Spiritual life

Hafeez Jalandhary was a child when he met Maulana Nawab ud din Ramdasi (1870-1946), a great saint of sub continent.Hafeez was reciting Naats in a mesmerizing voice.Maulana stopped and asked Hafeez about his occupation.Hafeez answered he left education and is very poor.Maulana took Hafeez with himself to Ramdas.Hafeez lived with Maulana a lot of years.Hafeez fell in so devotion with Maulana that they became a traditional follower (Mureed) of Maulana Ramdasi and attached himself till last breath.Hafeez was so devoted and love ful to his spiritual guider(Murshid) that according to shorish kashmiri , Hafeez and Haji Laq Laq used to sing spiritual verses and Qawwalis to Hazrat Khawaja Nawab Ud din.In “Shamsheer o Sana” , Hafeez expressed his feelings in a classical way.Hafeez Jalandhari , Haji Laq Laq and Mulana murtaza khan Maikash were famous lovers of Maulana Ramdasi.

Marriage

He first married in 1917, when he was seventeen years old. His first wife was his cousin “Zeenat Begum”. They altogether had seven children, all of them girls and no boys. In 1939 he married for the second time with a young English woman and had one girl with her. This marriage ended in a divorce. His first wife died in 1954. In 1955 he married with Khurshid Begum. The third relation also gifted him one girl. Her name is Raza Hafeez and after getting married she became Raza Riaz.

Later life

In 1922–1929 he remained the editor of a few monthly magazines namely, “Nonehal”, “Hazar Dastaan”, “Teehzeeb-e-Niswan”, “Makhzin”. His first collection of poems Nagma-e-Zar was published in 1935. After the World War II, he worked as the director of the Song Publicity Department. During this same time he wrote songs that were much liked by the public.

Death

He died on December 21, 1982 at the age of eighty two years. He was buried in Model Town, Lahore but later on his dead body was re-buried in the tomb near Minar-e-Pakistan.

Awards

For his literary and patriotic services he was awarded with the most prestigious awards of Hilal-e-Imtiaz and Pride of Performance.

Hymn of Kashmir

A patriotic poetic song of Watan hamara Kashmir, is considered to be the official regional State anthem or State song for Azad Jammu and Kashmir, it was written in the mid-1960s, which was inspired by the conflict of Indo-Pak war II.

Azads lyrics Ae sarzameene paak/Zarray teray haen aaj sitaaron se taabnaak/ Roshan hai kehkashaan se kaheen aaj teri khaak/Ae sarzameene paak (Oh land of Pakistan, the stars themselves illuminate each particle of yours/rainbows brighten your very dust) were replaced six months after Jinnahs death in September 1948. The National Anthem Committee chose Hafeez Jalandharis poem from among 723 submissions.

Shahnam-e-Islam

His monumental work of poetry, Shahnama-e-Islam gave him incredible fame which, in the manner of Firdowsi’s Shahnama, is a record of the glorious history of Islam in verse. Hafeez Jullandhari wrote the national anthem of Pakistan composed by S.G.Chhagla. He is unique in Urdu poetry for the enchanting melody of his voice and lilting rhythms of his songs and lyrics. His poetry generally deals with romantic, religious, patriotic and natural themes. He chooses his themes, images and tunes from the subcontinent and his language is a fine blend of Hindi and Urdu diction, reflecting the composite culture of South Asia.

Through this, I believe Jinnah Sahab wanted to sow the roots of secularism in Pakistan, read a post that quoted Azad. The debate comes at a time when Pakistanis are having a fresh look at the role played by Jinnah in the partition, thanks to a new biography of the countrys founder penned by former BJP leader Jaswant Singh.
He first married in 1917, when he was seventeen years old. His first wife was his cousin Zeenat Begum. They altogether had seven children, all of them girls and no boys. In 1939 he married for the second time with a young English woman and had one girl with her. This marriage ended in a divorce. His first wife died in 1954. In 1955 he married with Khurshid Begum. The third relation also gifted him one girl.

In 1922 — 1929 he remained the editor of a few monthly magazines namely, Nonehal, Hazar Dastaan,Teehzeeb-e-Niswan, Makhzin. His first collection of poems Nagma-e-Zar was published in 1935. After the World War II , he worked as the director of the Song Publicity Department. During this same time he wrote songs that were much liked by the public.

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Girls Grow Into Womanhood The Body

November 27th, 2013, posted in GiRLs, Ink On PAPER, Scarface'S DIARY
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Girls Grow Into Womanhood The Body,Indain Woman,Pakistani Woman,Eastern Woman,Indain Women,Pakistani Women,Eastern Women,Paki Women,Paki Woman,india,pakistan,paki,words,indian movies,bollywood,lollywood,,

Girls Grow Into Womanhood The Body,Indain Woman,Pakistani Woman,Eastern Woman,Indain Women,Pakistani Women,Eastern Women,Paki Women,Paki Woman,india,pakistan,paki,words,indian movies,bollywood,lollywood,,

As girls grow into womanhood, the body becomes the central medium through which these unwritten codes of behavior are transmitted and memorized. The demure lowered gaze fixed at some point on the floor, the acquiescent nod of the head, the feminine swing of the hips, the closely held thighs and the modestly drawn-in shoulders are all written into our bodies by invisible hands and inaudible words so that we start believing that this is the way we are supposed to be.

The containment of a woman’s body is demonstrated by the very tightness with which she holds herself and moves The notion that such gendered body language is ‘natural’ is reinforced by observing other women we encounter. For example, observing men and women in public transportation and on the streets of Mumbai, one notices the tentative and watchful manner in which women occupy public space. In BEST buses, the average women will occupy the least possible space, rendering herself as inconspicuous as she can…on the other hand, the average man will spread his legs out, occupy more than half of a two-seater in a bus and appear to disregard the people around him.

Shilpa Phadke, Sameera Khan, Shilpa Ranade,Why Loiter?: Women and Risk on Mumbai Streets

Observing the occupation of space(s) by women is critical praxis for me when I watch films, particularly because there’s always some surprise (and satisfaction) in catching glimpses of scenes where filmmakers break away from the traditionally gendered frame. The screencaps above illustrate that sentiment best. While Indian women at leisure in public spaces has never been a plausible reality for the filmmaker to pursue, this uninhibited, un-sexualized, un-victimized image of women in private, domestic spaces has usually been shied away from as well, because film has been expected to make its female protagonists hyper-aware of their bodies in the form of traditional gender roles for the benefit of a cis, heteronormative, North Indian Hindu male audience. Obviously the harrowing majority of filmmakers from parallel cinema to the so-called mainstream are male and their own sexist expectations of women have been translated into the narratives of their films along with the way they frame their female protagonists, never affording viewers with the realities (or criticisms) of women and their occupancy of private/domestic space.

The women in these films however, are able to lie faceless and thoughtless in crumpled sarees and nightgowns, no male gaze to bind their bodies to a decreed acceptable amount of space. They spill out from the frame, with hidden limbs, faces, thoughts—a luxury the traditionally gendered frame would not dream of providing.

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Link : http://azaadi.tumblr.com/post/61204139780/dhrupad-as-girls-grow-into-womanhood-the-body

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Hussain Hai Hussain Hai – Nabi Ka Noor-e-Aain Hai

November 25th, 2013, posted in Muharram, Nusrat Fateh Ali Khan Songs, Sufism
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Khawaja Ghareeb Nawaz’s immortal verses on the status of Hazrat Imam Hussain (AS) :

Shah ast Hussain, Badshah ast Hussain
Deen ast Hussain, Deen Panah ast Hussain
Sardad na dad dast, dar dast-e-yazeed,
Haqaa key binaey La ila ast Hussain

And a rough translation :

Ruler is Hussain, Emperor is Hussain,
Faith is Hussain , guardian of faith is Hussain .
Offered his head and not the hand to Yazid.
Indeed, Hussain is the foundation of La-ilah
(the declaration that none but God is Absolute and Almighty)

——

Poet: Hafeez Jalandhari, the same gentleman who wrote Pakistan’s national anthem :

libaas hai phata hua, ghubaar mein ata hua
tamaam jism e naazneen, chida hua, kata hua
yeh kaun zeewaqaar hai, bala ka shahsawaar hai
ke hai hazaaron qaatilon, ke saamne data hua

yeh bil yaqeen Hussain (A.S.) hai,
Nabi(SAW) ka noorey ain hai

ke jiski eik zarb se, kamaal’e fann e harb se
kai shaqi girey huey, tarap rahe hain karb se
ghazab hai teighay do-sarr, ke eik eik waar par
uthi sadaa’e “alamaan”, zabaan e sharq o gharb se

yeh bil yaqeeN Hussain (A.S.) hai,
Nabi(SAW) ka noorey ain hai

yeh kaun haq parast hai, maey redha se mast hai
ke jiske saamn’e koi, buland hai na pust hai
udhar hazaar ghaat hai, magar ajeeb baat hai
ke eik se hazaarha ka hausla shikast hai

yeh bil yaqeen Hussain (A.S.) hai,
Nabi(SAW) ka noorey ain hai

aba bhi taar taar hai, to jism bhi figar hai
zameen bhi hai tapi hui, falak bhi shola baar hai
magar ye mard e teigh zann, ye saff shikan, falak figan
kamaal e sabr o tandehi se mahwe kaarzaar hai

yeh bil yaqeen Hussain (A.S.) hai,
Nabi(SAW) ka noorey ain hai

dilawari mein fard hai, bara hi sheir e mard hai
ke jiske dabdab’e se, dushmanon ka rung zard hai
habib e Mustafa(SAW) hai ye, mujaahid’e Khuda hai ye
jabhi to iske saamney, ye fauj gard bard hai

yeh bilyaqeen Hussain (A.S.) hai,
Nabi(SAW) ka noorey ain hai

udhar sipaah’e Shaam hai, hazaar inteqaam hai
udhar haiN dushmanaan’e deeN, idhar faqat Imam hai
magar ajeeb shaan hai, ghazab ki aan baan hai
ke jis taraf uthi hai teigh, bas Khuda ka naam hai

yeh bilyaqeen Hussain (A.S.) hai,
Nabi(SAW) ka noorey ain hai

Vocalize by : Nusrat Fateh Ali Khan.

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Sunitha Krishnan: The fight against sex slavery

November 24th, 2013, posted in GiRLs, MESSAGEs, POEPLes
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Sunitha Krishnan,rescuing women and children from sex slavery,rescuing women and children, sex slavery,hijab,islam,opresses the women,opresses the woman,illilerate mind,mind,muslim women,muslim woman,muslims,muslim,india,pakistan,rape,
Sunitha Krishnan,rescuing women and children from sex slavery,rescuing women and children, sex slavery,hijab,islam,opresses the women,opresses the woman,illilerate mind,mind,muslim women,muslim woman,muslims,muslim,india,pakistan,rape,
Sunitha Krishnan,rescuing women and children from sex slavery,rescuing women and children, sex slavery,hijab,islam,opresses the women,opresses the woman,illilerate mind,mind,muslim women,muslim woman,muslims,muslim,india,pakistan,rape,
Sunitha Krishnan has dedicated her life to rescuing women and children from sex slavery, a multimillion-dollar global market. In this courageous talk, she tells three powerful stories, as well as her own, and calls for a more humane approach to helping these young victims rebuild their lives.

Sunitha Krishnan is galvanizing India’s battle against sexual slavery by uniting government, corporations and NGOs to end human trafficking.
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